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Photography by Jeff Hunt and Michelle Kilfeather
Welcome to the final episode of Season 5! We saved a special one for last for a good reason. Mini Bar is, of course, where we're having our first art show (Hungry Ghosts) in more than three years. But it's also a neighborhood bar, and neighborhood bars are such a great symbol of the beating heart of San Francisco. Our whole dang thing, Storied: SF, was founded in a neighborhood bar, in fact. In Part 1, we meet Mini Bar co-owner John Ordoña. (Nerius Mercado is Mini's other co-owner.) John was born in the very maternity ward at Kaiser on Geary where his mom, a Filipina immigrant, worked. He was the third of three sons to his mom and dad, both from the Philippines. Born into a Catholic family, John attended school at Star of the Sea and then Sacred Heart, where he was part of the last boys-only class at that school.
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Photography by Michelle Kilfeather
Welcome to the penultimate episode of Season 5! We're revisiting our 2018 podcast with Babylon Burning's Mike Lynch in Part 1. In Part 1 of our episode on the Bayview Opera House, we sit down with opera house Programming Manager Ashley Smiley, (who goes by "Smiley"). Smiley shares how her family ended up in San Francisco. Her mom was born and raised in SF, but her mom's mom, a mixed-race woman, came from Texas. Her family was run out of that state by the KKK. That family landed in the Hunter's Point area and ended up in the Fillmore. Her maternal grandfather came here from Haiti via boat. Upon his arrival, he bought property in San Francisco, as that was possible at the time. Smiley's grandparents met each other at Polytechnical High School. Her grandfather was a longshoreman, but also a musician and songwriter. Her mom went to Galileo, then SF State, and now works for The City. Smiley was born at a rather conspicuous time in history — just a week after the Loma Prieta earthquake in 1989. Her mom says that there was a 5.4 aftershock at the time of Smiley's birth. Smiley grew up in Ingleside mostly, and remembers going to the Bayview Opera House a lot early in life. Her family moved around The City, and she rattles off a list of the different schools she went to. It was at Lafayette Elementary that she did her first theater show — Pirates of Penzance. She mentions her "Jewish momma" from this time, an early mentor. After attending her first major theater production, she became something like obsessed with the production aspects of live performance. She'd played instruments and was a cheerleader, but she found her passion in performing arts. She carried that passion into her middle school days, where she started doing spoken word and poetry. Work she'd done at her church gave her a background in writing, and she used that to springboard to performing words on stage for people. In high school, when she went to Lowell, she started doing bigger and bigger productions. It was during this time that she was immersed in Black culture and identity, and she learned that it was something she needed to lean into. She says that it was "super empowering." On the flip side, these experiences contradicted what she had previously believed about the world, namely, that racism had more or less been solved. She had wondered why older Black folks were so upset. And so, at the same time that she was discovering her own confidence and pride of being a Black woman, she was starting to see the complexities of racism in the US and San Francisco. Lowell, she says, had a lot to do with this realization. We end Part 1 with Smiley confessing to how much time she spent away from her high school, the bulk of it at the Brava Theater in the Mission. She did spoken word and hip-hop with the Colored Ink group. Meeting and witnessing performances by so many of her inspirations left her thinking, I gotta be in this world. And now, she is. 
Hi! This is a short bonus episode to fill you in on some recent stuff. Learn more about what we have planned as we wind down Season 5 and get ready for our first art show in more than three years! And join us next week for an all-new episode about the Bayview Opera House.
Photography by Jeff Hunt
Friends of the Urban Forest exists on the premise that there are "no trees in San Francisco." That of course isn't the literal truth. But we'll get to that. In Part 1 of our episode on FUF, we sit down with Tree Planting Program Manager Zeima Kassahun and Executive Director Brian Wiedenmeier to chat about the non-profit's 42-year history of making San Francisco greener. We learn a little about Zeima and Brian's lives, where they're from, how they ended up moving to The City, and what brought them to FUF. Then Brian and Zeima talk about the history of Friends of the Urban Forest. This conversation includes the fact that, upon colonization of San Francisco, there were very few trees, most of which were located in and around the no-longer-existent Mission Bay. We work our way up through industrialization, urbanization, and the advent of car culture to set the stage for what a group of neighbors and friends were up against when they founded FUF in 1981.
Photography by Jeff Hunt
This episode is all about the Women's Building, a structure on 18th Street in the Mission that has served so many purposes for more than 50 years. In Part 1, we talk with two members of the Women's Building staff: Maria Arteaga, Women's Building content specialist/social media manager, and Kristen Acosta, their community engagement coordinator. Maria starts us off by sharing her life story. She was raised in Puebla, Mexico, and was there until she was 28. That's when she went for PhD in Barcelona for four years, followed by a stint in Zurich, Switzerland. After Maria's partner moved to San Francisco for work, she visited and loved it here. She arrived in March 2019, soon discovered the Women's Building, and the rest is history. Then we hear from Kristen. She's from El Paso, Texas, originally. She went to college in San Antonio, worked there a little after graduating, then made her way out west with her partner. Kristen volunteered at Glide and St. Anthony's before her arrival at the Women's Building. She first volunteered, became the receptionist after that, and then moved into her current role. Both guests share the history of the Women's Building, which goes back more than 50 years, when a group of activists formed the San Francisco Women's Centers. Soon in need of their own venue to hold events and generally be able to do more, they found their current home on 18th Street. Fun fact—back in the day, Valencia Street's Dovre Club lived in the corner of the building. We go through some of the intentions and accomplishments of the building. From the outset, the aim was to be collective and inclusive. Maria says that the founders were the "original intersectional feminists." The first Black lesbian conference in the US was held there in the 1980s. Over the years, there have been many programs at the Women's Building for the LGBTQ and Latinx community, in addition to poetry readings and other art events.
Photography by Michelle Kilfeather
When SF natives Gypsy Snider and Shana Carroll hatched their idea for a show in the space once occupied by Beach Blanket Babylon, they set out to pay homage to their hometown. The result was Dear San Francisco, a high-flying, loop-jumping, juggling, acrobatic love letter to The City. In Part 1 of our episode on Club Fugazi, where Dear San Francisco takes place seven times every week, we sit down with Co-producer and Executive Director David Dower. David shares the history of the space, going all the way back to its founding in 1914, up through its time as a dance hall and lecture hall, to its setting for Thelonious Monk's Alone in San Francisco (recorded there), and in 1974, its service as a home for Beach Blanket Babylon. Then David shares Gypsy and Shana's background in circus arts, which traces back to San Francisco's very own Pickle Family Circus. From there, we go to Montreal and Cirque du Soleil, out of which the 7 Fingers Creative Collective was born. Just before the pandemic, Beach Blanket Babylon wrapped up their 45-year run at Club Fugazi. When Gypsy and Shana heard about the now quiet and dark hall loved by so many all around the world, the idea for Dear San Francisco was born. Forget what you might think when you hear the word "circus." There are no rings or unicycling bears here. Instead, acrobats and trapeze artists literally hurl themselves through the air while also sharing personal stories and their deep, deep love for San Francisco. Go. See. This. Show.
Photography by Michelle Kilfeather
There's an awesome little six-lane bowling alley tucked into the heart of the Mission. In this episode, we get to know Molly Bradshaw, owner of Mission Bowling Club. Molly traces her steps from coastal Mendocino to Citrus Heights when she was in second grade. She spent the rest of her youth in the Sacramento area, eventually going to punk shows in Sacto and at Gilman in Berkeley. Molly's grandparents came to California in the Great Migration to work in Richmond. Some of her ancestors lived in Berkeley, some in East Oakland, and Molly would spend summers in the East Bay. After high school, she wanted to go to college and be independent. She lived in what was then known as Squaw Valley (now Palisades Tahoe) for a summer, went to grad school from 1997 to 1999 in Seattle, then moved back to the Bay and started bartending. Around 2007/2008, Molly opened Mini Bar with some friends. In Part 1, she speaks fondly of Divisadero and its history. She and her fellow owners of Mini Bar did lots of community outreach before opening, and we think the fact that the bar continues to be a popular meeting spot 15 years later speaks to those efforts.
Photography by Michelle Kilfeather and Jeff Hunt
We've been wanting to do this episode for years. 826 Valencia is a non-profit whose aim is to help young people write creatively. They’ve operated out of the space at the address in their name since the early 2000s. For Part 1, we sat down with 826’s Director of Volunteer Engagement Kavitha Lotun and Pirate Supply Store Manager Byron Weiss to discuss their respective stories of moving to San Francisco and the origins and mission of 826 Valencia.
Photography by Michelle Kilfeather
Nearly 100 years ago, the stretch of Kearny Street from Jackson south all the way down to Market was filled with Filipino shops, restaurants, and SRO hotels. Perhaps most notably, the International Hotel (I-Hotel) was located at the intersection of Kearny and Jackson. Today, that space is occupied by a residence for older folks, some of whom have connections to the last of the mostly immigrant population who were evicted in the middle of the night from their homes at the I-Hotel in 1977. It's also home to the Manilatown Heritage Foundation. In Part 1 of our podcast, our guest, foundation Executive Director Caroline Julia Cabading, guides us through her own fourth-generation Filipina history in San Francisco. Caroline lays out the history of U.S. imperialism and capitalism that sought cheap Asian labor and therefore brought Filipinos, mostly men, to this country for migrant work in Northern California. As they aged, those young men later settled in the I-Hotel, forming a community and chosen families until they were unjustly thrust from their homes by a real estate developer (sound familiar?). 
Photography by Michelle Kilfeather
Happy Valentine's Day! This episode is all about San Francisco’s Good Vibrations because, well, duh. It’s also about Good Vibes’ Antique Vibrator Museum. To guide us, we meet Carol Queen. Carol is the staff sexologist, a title she earned with her PhD in the subject. Carol grew up in small-town Oregon, just south of Eugene. She says she was interested in sex as long as she can remember, despite what those in her community might have thought about that. Childhood and early adult visits she made to the “big city” of Eugene helped her find community and solidify her outsider, activist status. Eventually, she went to college there, although she had graduated high school early and arrived in Eugene at 16 years, far too young to go to bars. Despite that prohibition, Carol found her people, though it wasn’t always easy. She considered herself queer, but folks in LGBTQ circles cast her out, claiming her bisexuality meant she didn’t belong. It was another hurdle to work hard to overcome. Eventually, she met likeminded folks who slowly branched out into different areas of study. But they all had one thing in common—a desire, through whatever avenues, to change minds and laws and bring about more acceptance and equality for their fellow LGBTQ folks. She credits the backlash to Anita Bryant as well as eventual mainstream acceptance of AIDS as a real threat to everyone with helping her and her friends win some early victories. Carol and I do a short sidebar on some of the more recent efforts by the right in this country to ban books and legislate language, including so-called “don’t say gay” laws in places like Florida. We return to the conversation to hear that enrolling at Institute for the Advanced Study of Human Sexuality is what brought Carol to San Francisco. And we end Part 1 with Carol's impressions of San Francisco, first upon visiting, and then later, when she went to IASHS, moving here.
Photography by Michelle Kilfeather
Dontaye Ball has brought gumbo to San Francisco. Now, he's doing everything he can to make it this country's national dish. In this episode, we meet Dontaye. Born and raised in The City, Dontaye has lived with gumbo just about his entire life. Often served at big family meals, he remembers fondly that while gumbo might've been the center of the culinary realm, it was always more about being with family, friends, and those he loved. Started as a pop-up a few years back, in late-2022, Dontaye was able to secure a brick-and-mortar spot on Third Street near the neighborhood where he grew up. Gumbo Social is set to open this spring, and we can't wait. In Part 1, Dontaye talks about the importance of gumbo and what it means to him. He tells us all about the crew he's assembled to assist him on this mission, including his two sons. Until the spot on Third opens its doors, find Gumbo Social at the Sunset Mercantile market every Sunday. Tell 'em we sent ya!
Photography by Michelle Kilfeather and Jeff Hunt
San Francisco is about to get its first new LGBTQ bar in a long, long time, y'all. In Part 1, we'll meet Malia Spanyol. Currently, Malia owns Thee Parkside. She was born in Honolulu and went to ASU in Tempe, Arizona. But she hated it and came to San Francisco in 1989 just before the big earthquake that year. Malia was already out and was here looking for her people. She worked, went to school at SF State, made friends, and explored the town on her motorcycle. It was a "great time to be gay in SF," the early 1990s. She was always going to music shows, art shows, poetry readings, and parties, mostly in the Mission. "Valencia Street was dirty" then, Malia says. She worked in a dildo factory and lived in Hayes Valley. On her way to work, she and friends would drive down Valencia in a t-top, out and proud as fuck. At her job, Malia learned bookkeeping and helped friends and small businesses do taxes. She seized an opportunity to become a business owner herself when she bought Pop's Bar with friends in 2003. Lil Tuffy, who some of you might know from this podcast and his show posters, came in and became the manager at the bar. Malia ran Pop's for 10 years, from 2003 to 2013. In 2007, she found out about an opportunity at Thee Parkside, a spot with more to offer—food, a stage, an outside area. And so she capitalized. As Malia notes, the area around Thee Parkside was very different then—more blue collar. She learned Muay Thai around 2007 and fell in love with the sport. Her coach asked her to open a new gym and she did.
Photography by Jeff Hunt and Michelle Kilfeather
In this episode, we kick off the new year by resuming our series on San Francisco co-ops. This one is all about Rainbow Grocery Cooperative. To guide us, we'll meet Cody Frost, a marketing and creative strategist at Rainbow for the last three-and-a-half years. Cody has been a worker/owner at Rainbow for almost 16 years. He grew up in Carmichael, California, just outside of Sacramento, in the 1980s and '90s. He pursued art in his early twenties and had friends in Sacto, where he moved around 2004/2005. Then he heard about an effort to make a new art space in The City in 2005 and moved here in 2006. That space turned out to be the Secret Alley, a place near and dear to our hearts. Cody first got a job at Bi-Rite, where he worked for a year before landing the gig at Rainbow. At this point in the recording, we dive more deeply into Rainbow history. It starts with a faith-based group that used food for community support and political activism in 1970s, the People's Warehouse. Many co-ops, including some that are still around today, were created out of that group. Rainbow's original location, which first opened its doors in 1975, was on 16th Street between Guerrero and Valencia in the Mission. Back then, groceries and a general store were at separate addresses. They moved in the '80s to 15th and Mission and combined stores. Then, outgrowing that space, Rainbow found its current location in 1995 and opened the next year following renovations. We end Part 1 talking about the co-op's incredible bulk-food section.
Photography by Jeff Hunt and Michelle Kilfeather
Several of the worker/owners at Arizmendi Bakery on Ninth Avenue have been there since the place opened 22 years ago. Around half of them have worked there for two decades. Continuing our series on San Francisco co-ops, this time we travel to the Inner Sunset and this special place that serves up so many delicious treats. Whether it's a morning pastry, an evening vegetarian pizza, or an delicious cookie for dessert, Arizmendi has got you covered. In Part 1, Sue Lopez speaks to her own history as well as how the original spot in the East Bay, Berkeley's Cheese Board Collective, spawned what today is a Bay Area group of cooperative bakeries. The conversation covers such topics as: what it meant for a co-op to expand to more than one location; the differences among Arizmendi/Cheese Board locations; how the Ninth Avenue location brings about new menu items; the cooperative movement of the late-1960s/early 1970s; the meaning of the name "Arizmendi"; opening the spot on Ninth Avenue, which was the third in the collective group; and the Inner Sunset community.
Photography by Michelle Kilfeather and Jeff Hunt
In this special episode, Jeff and Erin (Bitch Talk Podcast) talk about what it means (and costs) to run our respective shows, with a special shout-out to BFF. Then we plug all the wonderful non-profits we're supporting this year. We want YOU to support us and all of them because none of us can do any of this without each other. Anything you can give is deeply appreciated. Photography by Michelle Kilfeather
Photography by Michelle Kilfeather
Celia LoBuono Gonzalez joins us on the show this episode to share her story and that of Other Avenues Grocery Cooperative. Part 1 starts off with Celia sharing the story of her life up to the point of getting a job at Other Avenues. From there, we pivot to the colorful and, we think, important story of food in San Francisco and the Bay Area starting in the 1960s. From a collection of neighborhood clubs called the Food Conspiracy, whose motto was, "If you can't walk to Food Conspiracy, it's time for a new Food Conspiracy," to the People's Food System, which included Other Avenues, Rainbow Grocery, Veritable Vegetable, and other co-ops that don't exist anymore, there's proof all over today that cooperative models work. We like the sound of that, in fact, compared to competitive businesses. Other Avenues' doors opened in 1974. By 1987, a hybrid system of worker and community management was adopted. And the worker-owned model that exists today started back in 1999.
Photography by Michelle Kilfeather
Christopher Renfro moved to San Francisco 16 years ago and ran into a lot of what some might call luck. In this episode, we talk about Christopher's work with Alemany Farm. The largest agricultural site in The City, volunteers grow, harvest, and distribute vegetables and fruit from the 3.5-acre plot just below Bernal Hill. He also tells us about the work he and Haley Garabato began with the Feed the People Collective, which operates out of Alemany Farm and feeds unhoused folks around town.
Photography by Jeff Hunt and Michelle Kilfeather
San Francisco's cemetery history is rich, to say the least. It goes something like this:
In Part 1 of the four-part series we're doing on San Francisco Cemeteries, we'll meet Courtney Minick of Here Lies a Story. Courtney will serve as our guide through this history. Along the way, we'll meet folks who work with the cemeteries that are left over here in The City—the one at Mission Dolores and San Francisco National Cemetery. We'll take walking tours of the Mission and the pet cemetery in the Presidio. Interestingly, as we were putting these episodes together, the Board of Supervisors' Land Use Committee voted unanimously in favor of granting City Cemetery landmark status. Now the matter goes before the full board sometime this month. The timing!
Photography by Michelle Kilfeather
It can get really loud inside Musée Mécanique. Walk in the place and you're immediately transformed, in both time and space, to another world, another era. The magic almost slaps you in the face, hitting all five senses at the same time. And you can't help but feel the nostalgia coursing through your veins. In Part 1 of this episode, meet the arcade's roller-skating owner, Dan Zelinsky. Dan traces the history of the place back to his dad, Ed Zelinsky. Ed started his penny-arcade machine collection in 1933, but the story is complicated, filled with twists and turns that involve New Orleans and P.T. Barnum. We talk with a couple of tourist visitors to Musée Mécanique who found the place thanks to some cameos in The Princess Diaries. Then Dan shares the story of how he acquired the infamous "Laffing Sal." 
Funny thing: Do a podcast like ours long enough, and the most random and randomly awesome tidbits will pop in and make the cut.
Last episode, it was the Doc Ellis "LSD" perfect game that MLB doesn't like to talk about. In Part 2 of this episode, it's New Orleans and P.T. Barnum. Musée Mécanique owner Dan Zelinsky shares the story of how his dad, Ed, bought the collection of the original San Francisco owner, George Whitney, and ran the Cliff House location until around 2002. Ed Zelinsky found the spot at Pier 45 just before he passed away, in 2004. Whitney inherited a collection that showman P.T. Barnum brought to San Francisco from New Orleans. Much of it lived at Playland at the Beach before moving to the Cliff House, where it remained until around the turn of the century. Condemned building, fires, and pandemics later, Musée Mécanique thrives today at Pier 45 in Fisherman's Wharf. Part 2 concludes the history of the place and our episode all about it. Hear more from Dan as well as visitors Brian and Michael, from New Jersey and New York state, respectively. Join us next week as we kick off a series on San Francisco cemeteries! We recorded this podcast in August and September 2022 at Musée Mécanique.
Photography by Michelle Kilfeather (unless otherwise noted)
Here we go. Our first episode of Season 5 was recorded out on the water. McCovey Cove is familiar to Giants fans, whether you've been in the water or not. It's that tiny waterway nestled between the ballpark (PacBell Park, SBC Park, AT&T Park, Oracle Park ...) and the strip of human-engineered land across the way. Baseball players sometimes hit baseballs out of the ballpark and into the water. Balls can land in the cove "on the fly" (directly from the air) or on a bounce. When this happens, much like a group of koi racing for crumbs, humans in kayaks paddle and vie for the floating sports balls. It's a thing. A whole thing. In Part 1, we first meet our captain on the water that day, Jay Broemmel. Jay introduces us to McCovey Cove Dave, perhaps the most famous of those vying for souvenirs six months a year. For Part 2, you'll have to bear with us a moment. We're gonna go stats nerd on you. As of the publication of this episode, the San Francisco Giants have played a total of 1,892 games at the stadium known these days as Oracle Park. Each of those games sees a minimum of 27 at-bats for Giants players. That leaves us with at least 51,057 chances for a hitter to send a home run ball into the waters of McCovey Cove. And it's happened a mere 97 times. That's something like a 0.19 percent chance that any batter will accomplish the feat. And on the very day this July when we boarded the Canoecycle, lo and behold, we got a splash hit. Hear all about it from the human in a kayak who got that Lamont Wade, Jr.'s, home run ball and more.
We recorded this podcast in McCovey Cove in July 2022.
Behind the scenes with Storied: San Francisco through the years. Photography by Michelle Kilfeather
Folks, we made it. Welcome to the fifth season of Storied: San Francisco! For five years, we've highlighted humans—artists, doctors, teachers, small business owners—who make this place what it is. Now we turn our attention to places around The City that do exactly the same—help create the mystique around this complicated, beautiful, wondrous place we all call home. In this prequel episode of sorts, Jeff will remind everyone why we do this crazy show in the first place. He'll talk about the pivot from people to places, the updates we've made to our website, and let everyone in on why we chose to include an acknowledgement of the first humans in this area in every episode, including this one. Check back next week when we present Episode 1: McCovey Cove. This podcast was recorded on un-ceded Ramaytush/Ohlone land known today as San Francisco in August 2022.
Photography by Jeff Hunt
Like many businesses, Secession Art and Design had to pivot in 2020. In this special episode between seasons, Secession's founder, Eden Stein, shares stories of opening a gallery in the Mission/Bernal 15 years ago. Starting Aug. 4 and running through Aug. 7, Secession will celebrate 15 years of business with a four-day pop-up up the hill on Cortland. Details about the event can be found below and on Secession's site. Eden grew up in Santa Rosa and moved to The City in 1999. In her hometown, she did a zine for many years called 7th Street. Her work on the zine helped her travel the country and to Europe. When she moved to San Francisco, she ended up on Mission Street across from El Rio. She went to SF State and worked at The Drug Store, which back in the day was a vintage store. Eden rented a booth there and sold vintage jewelry. It was her first inspiration to working with artists as a business. During this time, Eden became a teacher at a pre-school in The City. She got close with some of the parents, even nannying a little bit. One of the parents owned an architecture firm on Mission Street. He offered that space for Eden to do holiday art pop-ups. She was also selling jewelry, both vintage and some she made herself, at street fairs around town. These were the seeds of what would later become Secession. The original location opened in 2007. Then, in 2014, Eden lost her lease and miraculously managed to find a new spot a little further north on Mission. There's a fun overlap with Season 4 guest of the show Emmy Kaplan in the story of Secession's move. Earlier this year, after nearly two years of moving the gallery and events online, Eden gave up on her shift to things like 20-minute goat hugs in the gallery. The pandemic proved that her family's spot a few blocks from the gallery was too small, and an opportunity for them to move back to her hometown opened up. But that wasn't the way she wanted Secession to go out. As mentioned earlier, from August 4 through 7 on Cortland Street, Eden will be hosting a pop-up to celebrate 15 years of Secession Art and Design. Details: Featured Artists: Amos Goldbaum, Andreina Davila, Dianne Hoffman, Heather Robinson, Hilary Williams, Jenny Feinberg, Joshua Coffy, Nate Tan, Nathalie Fabri, Olena McMurtrey, Phillip Hua, Rachel Znerold, Silvi Alcivar, Shannon Amidon, and Stephanie Steiner. Hours: Thursday, August 4: 12-8pm Friday, August 5: 12-8pm - Anniversary Party 6-8pm Saturday, August 6: 12-8pm Sunday, August 7: 12-6pm Address: 307 Cortland Ave (at Bocana), SF We recorded this podcast at Eden's home in Santa Rosa in July 2022.
Photography by Jeff Hunt
There's an unused square block in the Portola District that's Ground Zero in the fight over land in San Francisco. In Part 1, we learn all about the Greenhouse Project. Volunteer Caitlyn Galloway shares some of the history of the block bordered by Woolsey, Bowdoin, Wayland, and Hamilton streets as well as the efforts underway to reclaim the area as a green space in The City's southeast side. Then we hear about Caitlyn's life and how she got to this moment. She was born in Union City and raised there and in Livermore, where she went to high school. Her extended family has been in the East Bay for several generations. Once she was old enough to ride BART without an adult, she and her cousin would come into San Francisco to go shopping around the Powell station. When it was time to go to college, she chose Santa Barbara. Despite a lot of what Caitlyn calls "sameness" there, she found pockets of people she could relate to, people who had different ways of living—punks, hippies, folks who worked at co-ops. Caitlyn started working at a food co-op in Santa Barbara around the same time she began to garden there. She was still in school and all of these activities started to shape Caitlyn's worldview, especially around food and land. After graduation, she moved to New York City, partly to get away and partly to ready herself for a move to San Francisco. She found work as a gardener at a landscaping company, where she worked on rich people's gardens around town. Caitlyn also worked on some green roofs in New York, well before the trend that would emerge later. Two years into her time on the East Coast, she decided that it was time to come back to California. She missed a number of things—people, a smaller-city vibe. But perhaps more than anything else, California sagebrush drew Caitlyn back to her home state. There was no question of where in the state she'd be. Upon landing in San Francisco in 2007, Caitlyn apprenticed at New Bohemia Signs, a hand-painted sign shop based in the South of Market neighborhood. Through her work there, she met and befriended someone who was gardening and growing vegetables in a backyard in the Mission. Caitlyn soon joined her new friend in gardening. We end Part 1 with a detour of sorts, when Jeff and Caitlyn discover that they were neighbors 15 years ago or so.
Photography by Michelle Kilfeather
Doug Salin has trouble doing anything longer than one hour. In this podcast, the career photographer shares his life story with us. We recorded in Doug's house in the Sunnyside, the same place we met and talked with ex-San Francisco poet laureate, Kim Shuck (Part 1 / Part 2). Kim is Doug's life partner, in fact. These days, Doug works as a robotics mentor for high school students in The City. He's been doing photography since he was four. He began college studying physics, but that didn't excite him. Somewhat by accident, he fell into mechanical engineering instead. He soon became the photo editor of the college newspaper and yearbook. Doug figured he was destined to work in journalism. But someone he knew mentioned heading up to San Francisco to see if there were any photo jobs for him. He wasn't planning to stay in San Jose, so he came up and met Paul Hoffman. Hoffman connected Doug with Macy's in Union Square, where there was an opening in the store's in-house photo department. He had no experience in commercial photographer, but figured what the hell? He ended up getting the job and worked in the company's dark room, which was located inside the store. Then someone asked him to help with "paste-ups," which was more like the work he did for his college yearbook. About a year later, the photo department was looking to remodel their area of Macy's. Doug took a look at the plans and suggested something different, more efficient. They ended up going with Doug's revisions. Shortly after the renovations were made, Macy's named Doug an assistant studio manager. He still wasn't taking photos in that situation, though. But in his experience of managing photographers, he picked up what he needed along the way. |
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