San Francisco has such a rich history of comedy. No one can argue against that. In this bonus episode, meet SF Sketchfest co-founder and co-director Cole Stratton. I chatted with Cole about:
Go to SFSketchfest.com for tickets and more info. We recorded this podcast on Zoom in January 2025.
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Photography by Mason J. unless otherwise noted
Puerto Alegre has been one of my favorite places in San Francisco since around the time I moved here in 2000. I'm finally able to share their story here, and I'm humbled and honored to do so. In Part 1, we meet the Vigil siblings--Amparo, Lorenzo, Willy, and Pattye. Their parents opened Puerto Alegre around 1970, and these four continue their family's legacy on Valencia to this day.
Photography by Jessica Christian
This bonus episode is presented in collaboration with the Chronicle Season of Sharing Fund. Season of Sharing Fund gave some peace of mind to aspiring boxing champ Keoni Washington, who became parent and breadwinner to his brothers after their mother passed away early in the pandemic. We meet him at the East Bay apartment he shares with three of his brothers. Keoni received rental assistance from Season of Sharing Fund in 2023, which has allowed him and his brothers to stay in their home. If you want to hear more profiles of help and hope, go here. And if you want to find out how you can help neighbors in crisis, go to SeasonofSharing.org/podcast.
Photos of adult Allegra by Dan Hernandez
Allegra Madsen has a Polaroid photo of her birth. In this episode, meet and get to know Allegra. Today, she's the executive director of Frameline film fest, the biggest LGBTQIA+ movie event in the world. She might disagree, but Allegra is a big deal. (Quick side note: As we kicked off our recording, Allegra expertly solved a Rubik's Cube. No bigs.) Jacob Rosenberg and the Bay Area Hip-Hop + Skateboarding Scenes of the Nineties (S7 bonus)11/21/2024
Photography by Stephen Vanasco
Jacob Rosenberg had a front-row seat to some rad SF/Bay Area history. In this bonus episode, the filmmaker/storyteller shares some of that history, especially as it relates to his upcoming book, Right Before My Eyes. Jacob was born and raised in Palo Alto. He grew up in the Seventies and Eighties. His parents moved there from the East Coast and Midwest to raise kids in an environment that matched their liberal values more. He started skating in the Eighties and would visit Justin Herman Plaza/EMB in The City with his skateboard but also his camera. He was one of the first to capture the skateboarding going on at EMB who was a peer of the skaters he was documenting. He soon found enough success with photography that he dropped out of high school and moved to San Diego to do that work full-time. Two years or so later, he went to film school at Emerson College in Boston, where he met his mentor. That mentor passed away while Jacob was still in school, but he finished a movie that guy had been working on at the time of his death. After college, Jacob moved to Los Angeles, where he's lived ever since. At this point in the episode, I share with Jacob the draw that SF had on me from about age 12, thanks to skateboarding, Bones Brigade, and especially, Tommy Guerrero. I never got to visit The City when I skated, but it was always fresh in my imagination. Jacob then goes on a sidebar about Tommy. Jacob goes on to talk about the time frame covered in his book—1988 to 1998. His life changed at skate camp in the summer of 1988 (if my math is correct, this would be Jacob's last summer before high school). He met pro skateboarders that summer. Suddenly, unrelatedly, he was in Hawaii making a video for Hieroglypics. He cites 1988 as a pinnacle year for hip-hop. And he says that '91–'93 were the same for street skating. 1993 was also important for hip-hop. The conversation then shifts to what the two cultures—hip-hop and skateboarding—had in common. He cites his childhood hero, Chuck D. (who wrote the afterword for his book), who noted that members of both subcultures were disenfranchised youth who found a way to express themselves. Well-put. In the early Nineties, the dominance of ramp skating waned and gave way to street skating. With easier and more affordable access to video cameras, the scene got documented and documented well. Similarly, sampling and other recording equipment was getting cheaper and cheaper, and DIY hip-hop songs and videos flourished. And in a very specific way, a video that Jacob created and put Hieroglyphics' music in helped to unite the two groups in the Bay Area. Jacob says that his self-published book, Right Before My Eyes, is meant to be a coffee table book. He intends for people to see the world he was documenting all those years ago through his eyes. There are photos, of course, but the book also contains screengrabs from videos he made as well as ephemera from that time—stuff like photos of photos, the cameras he used to shoot, and more. Follow Jacob Rosenberg on Instagram to see his work. And visit Jacob's website to buy Right Before My Eyes, available now. We recorded this episode over Zoom in November 2024.
Photography by Mason J.
Nicole Salaver is the kind of person I wish I had met long before that happened. In this episode, meet Nicole. She's the program manager at Balay Kreative these days. But her San Francisco roots go way, way back. Her maternal grandfather came to the US in the 1920s. He was one of the first Filipinos to own a restaurant and pool hall in Manilatown (please see our episode on Manilatown Heritage Foundation). He was a manong who lived at the International Hotel. Stories that Nicole's mom has told her were that he was more or less a mobster, paying off cops to keep his place safe.
Photography by Jeff Hunt
Jackie Fielder is quick to credit her ancestors with her life and where she is now that she's 30. In this episode, meet Jackie, who's running to be the next District 9 supervisor. District 9 includes the Mission, Bernal Heights, and the Portola. She begins by sharing the life story of her maternal grandparents, who are from Monterey in Mexico. Her grandfather worked in orange groves in Southern California, while her grandmother was a home care worker. She also did stints at See's Candies seasonally. Sadly, both grandparents passed away when Jackie was young. But she learned more about them as she grew up.
Image courtesy SFFILM
Around this time last year, I covered my first film festival, SFFILM's Doc Stories. The screenings and other events all took place at The Vogue Theater, which is just a short walk from where I live. Long story short, I was hooked. Since then, I've covered SFFILM's International Film Festival, CAAM, and Frameline this year. And so I wasn't going to pass up a chance to speak again with Director of Programming at SFFILM Jessie Fairbanks. In this bonus episode, Jessie talks about this year's Doc Stories, the 10th such festival that SFFILM has put on to celebrate documentary filmmaking. Learn all about this year's programming, which includes many films and talks I'm hoping to attend. Event Details Thursday, Oct. 17–Sunday, Oct. 20 All screenings held at The Vogue Theater Go to SFFILM's website to learn more and buy tickets We recorded this bonus episode over Zoom in October 2024.
Photography by Jeff Hunt
Aaron Peskin is incredibly easy to talk with. And his life story is one you have to hear to believe. In this podcast, Episode 1 of Season 7 of Storied: San Francisco, the multi-term D3 supervisor-slash-president of the Board of Supervisors-slash-current candidate for mayor of San Francisco shares his story, beginning with the tales of his parents and their families' migration to the United States.
Look at that gorgeous updated logo! Many thanks to my friend Lisa Wong Jackson for enhancing Jim Murphy's design from 2017.
In this special episode, Jeff talks about what to expect in Season 7 of the podcast—what's changing and what's staying the same.
Photography by Jeff Hunt
Michael "Spike" Krouse's arrival on this planet was something of a miracle for his parents.
In this episode, get to know the founder of Madrone Art Bar (currently one of my favorite places in San Francisco). Spike's dad, a fighter pilot who flew missions in World War II, was much older than his mom. He flew for the Navy when the U.S. went to war with Korea as well. He ended up stationed in Alameda. When he retired from the Navy, in 1967, he took a job in Las Vegas, where the pay was good and the housing was affordable. Patrick Costello used to work at Anchor Brewing, where he was the production lead for the bottling and keg lines. He was also a member of the Anchor Brewing Union, where he served as a shop steward—essentially the union rep on the floor. Anchor's union was part of Local 6 of the ILWU. But Patrick wasn't exactly born into all of this. His mom and dad met at a house party in the Mission in the 1980s. Patrick's dad was stationed in the Presidio and his mom came here from Nicaragua. His dad wouldn't leave his mom alone at this party, or so the story goes. They were married at a church in the Presidio soon after that. (Patrick and his wife recently got married nearby, at Tunnel Tops park.) Welcome to this bonus episode with Kundan Baidwan and Sameer Gupta. Kundan and Sameer talk all about the Rootstock Arts' event Color Your Mind Festival, which is happening at the Yerba Buena Gardens Festival this Saturday, July 27, 2024 from noon to 5 p.m. (This episode was created in collaboration with Erin and Ange from Bitch Talk Podcast.) We start with Kundan. Long-time listeners will recognize or remember Kundan from ... Season 1, Episode 40, Two Storied Nights, and Hungry Ghosts. She's been a friend of the show since that fateful day in 2018 when I waltzed into Zam Zam with Bitch Talk on their Bourdain Crawl. But, podcast-wise, it's never been about Kundan.
Photography by Jeff Hunt
From a young age, Azikiwee Anderson left his heart in San Francisco. In this episode, Azikiwee (everyone calls him "Z"), the founder of Rize Up Sourdough, shares the story of how he got here. His dad was a famous drummer who got hooked on heroin while touring. When he returned home from the tour, the problems at home began. He started physically assaulting Z's mom. And so she packed up her three kids, all five and younger, and her things and split. The battered wives' shelter helped get them out of New Orleans and to San Francisco. Z has some memories of New Orleans, but they're coupled with trauma. When they landed here, they didn't really have people. His mom and her kids stayed at the bus station for weeks, and Z remembers a man giving them his lunch more than once. There's a poignant story of the brown paper bags that those meals came in and how Z has used similar bags for Rize Up breads as an homage. In 2022, the Presidio Trust asked Favianna Rodriguez to be an activator, as the trust was preparing to open its Tunnel Tops park. Favianna recommended that the folks building the park employ color and visual art to transform the space. They were supportive of her ideas. And with that, Ancestral Futurism was born. Favianna grew up in Oakland next to the 880 freeway, where she still lives today. The area around that major thoroughfare is one of the most polluted corridors in the state. Because she comes from an area subject to what she refers to as "environmental racism," she sought to make a statement in the northwest corner of The City. "Ancestral Futurism" was a phrase that perfectly summed up her goal: "We cannot repair the present until we acknowledge the harm of the past."
Photography by Jeff Hunt
Reem Assil has created a restaurant in the Mission that serves some of the most beautiful, delicious, and activist food of any new spot in San Francisco in a long, long time. Reem was born and raised in her early years in a Boston suburb. Her dad is from Damascus, Syria, and her mom is from Gaza, Palestine. Both were refugees in 1967. They met in Beirut and emigrated to the East Coast of the US. The suburb where they moved was predominantly white, but Reem's household was vibrant in Arab culture. Her parents didn't want the family to forget their roots. They were in Massachusetts because that's where the jobs were. But Reem's mom's family all came to California, which ended up having quite an effect on her.
Photography by Jeff Hunt
I'm super-stoked to do a podcast all about The Stud and folks from the collective who run the place! In Part 1, we start with Marke B. Many longtime listeners will remember Marke from his Season 3 Storied episode. In this go-round, we get a condensed version of his life story and how he made his way to San Francisco. In his hometown of Detroit, Marke threw raves and made enough money on that to put himself through college. Sometime in those four years of school, he realized that his dream of writing for a local newspaper or weekly was damn near impossible. Also, it was the height of AIDS and Detroit didn't have much of an infrastructure around that.
Image courtesy Frameline
In this bonus episode, meet and get to know Frameline Film Festival's Executive Director Allegra Madsen. Allegra was born and grew up in southern Virginia. As she says, "It was hot, it was humid, it was Southern." From a young age, she fell in love with movies because it was so hot outside. She'd escape to theaters, where she could bask in the AC and watch movies all day long. She left that area as soon as she could. That meant Chicago for college. She wanted to be a writer. Columbia College in Chicago was known as more of a film school, which meant she was on the periphery of movies in her time there. After college, it was on to Los Angeles, "as everybody does." Allegra worked in some art galleries and museums, with the goal of trying to get to San Francisco always in the back of her mind. As a kid growing up, she read a lot of Beat Generation writers (where were the women of the Beat era?). CCA was the draw that got Allegra up to The Bay. She studied contemporary art curation, focusing on how you can use art to build community. That was 20 years ago, and she's been here ever since.
Photography by Jeff Hunt
Brett Cline is, as he puts it, from the "Deep South." But he's such a California kid that by that he means Southern California. In Part 1, get to know Brett, who for the past decade or so has run The Lost Church performing arts theater. His life began in Orange County, where his parents ended up after meeting at UCLA and traveling around the world when his dad was a pilot in the Navy. Brett was heavily into the punk rock scene in SoCal in the Eighties (think bands like Social Distortion and Suicidal Tendencies, among others). But his love of music started in fourth grade when he snuck into the bedroom of an older neighbor kid and found the first record from Oingo Boingo, a band that changed his life. They were his first brush with alternative art, and soon became a defining point of his early personality.
Photography by Paolo Asuncion
Hear the conversation I had in January with my favorite young Bay Area band, Peaboo and the Catz. Follow them on Instagram @Peabooandthecatz Subscribe to their YouTube channel: Peabooandthecatz We recorded this podcast at Sky Cafe in South San Francisco in January 2024. In this episode, we meet the humans behind the artistic and cultural project that is the TNT Traysikel. We start, in random order, with Mike Arceaga. Mike was born in the Philippines and moved to LA with his family when he was 10. He says that the transition from his homeland to LA was difficult. The family first landed in Highland Park, which Mike points out wasn't hip then. That's where he got started doing graffiti art. In the mid-to-late-Eighties, they moved, first to the Eagle Rock neighborhood in LA, then to Pomona, where, by the time he moved there, he'd become a full-fledged graffiti artist. He says it's what got him into art. In high school, Mike learned technical drawing. He went to junior college, but had art school on his mind. He was in a hip-hop crew, tagged ramps, and was friends with skaters, but never skated himself. He also breakdanced, but says it never took. The 42nd annual CAAMFest kicks off tomorrow, May 9, in The City. In this bonus episode, meet CAAM's Festival and Exhibitions Director, Thuy Tran. Hear about how Thuy ended up in San Francisco and working at CAAM, the history of this Asian-American media organization, and this year's film, food, and music festival, which runs through May 19. Visit the CAAMFest website for more details.
Photography by Jeff Hunt
In this episode, meet and get to know Danny Montoya, who owns and operates Butterfly Joint and Café in the Outer Richmond. Danny starts his story by letting us know that, growing up, he had family in The City and visited a lot from his various homes in Southern California. He was born in Burbank and grew up in Santa Clarita Valley, where some of his friends still live. He was immersed in punk and skate cultures from a young age, and once he had friends who were old enough to do so, they drove "everywhere" to skate. His parents, both of whom are from Colombia and met in LA, divorced when Danny was 5. He and his older brother went to live most of the time with their mom in a trailer park. This was Danny's primary residence from age 5 to the beginning of ninth grade, and he says it shaped him deeply.
Photography by Jeff Hunt
In Part 1, meet and get to know Nathan, who today owns and operates New Skool Clothing and Accessories. Nathan's parents are both from Myanmar, but fled their home country during years of political upheaval. They landed in England, where his mom's mom already lived and where Nathan was born in the early Seventies. He, his older sister, and their parents then moved to the Bay Area, where their dad had family, when Nathan was three. He attended preschool in The City, but then his parents moved their young family to Daly City, where they could afford to buy a house. His dad started his own business, and his mom worked at a bank, and that was enough to enable them to buy a famed Doelger home just south of San Francisco. Nathan went first to Peabody Elementary for one or two years, then to Westlake for second through sixth grades. After this, his parents enrolled him in a Catholic school to finish his junior high years. Around 1983, he started high school at St. Ignatius in The City and that ended up changing his life forever. He soon met Eustinove Smith, who was already a graffiti and hip-hop legend in SF. Nathan was just getting into hip-hop himself. He shares some insights on the genre's evolutions, from the East Coast to out West. Some kids were graffiti writers and DJs at his new school, and Nate (as he was starting to be known) started breakdancing and listening to the hip-hop. Nate had dabbled in art as a young kid, but his art matured when he hit his teen years, especially after he met his new best friend, E (Eustinove). Nate imparts some wisdom about the evolution of graffiti-writing styles at this point. His buddy E got a crew together and they hit the streets. The new crew called itself Master Piece Creators (MPC). Nathan became Nate1, E was Omen2, and their buddy Rodney was Orco. Spots around SF they hit up include several "hall of fames," which are spaces where people paint both legally and illegally. MPC ended up doing many "productions" all over town. He says when he graduated high school, it was never a question of leaving The Bay. Nate got into SF State, where he majored in business at first. But it took a counselor's advice to get him to switch over to art. In this bonus episode, meet SFFILM Executive Director Anne Lai. Learn all about Anne's upbringing, what drew her to California, her stint with the Sundance Institute, and her arrival in 2020 in San Francisco at the famed San Francisco International Film Festival (SFFILM). Anne will walk listeners through the history of this 67-year-old festival, the oldest such event in North America. Then she touches on some highlights of this year's festival (April 24–28), including the Opening Night screening of Didi, the feature-length debut of Bay Area filmmaker Sean Wang. Please visit sffilm.org for more info, including showtimes and tickets. We recorded this podcast on Zoom in April 2024. |